By Fr. Fernando Fornerod, FDP
Saint Luis Orione (1872-1940)
had “a heart which knew no boundaries,”
loving everyone everywhere. Indeed, his life contributed to
making our world a place with room for all, especially those suffering from
neglect. In this article we set the figure of the Founder alongside “Les
Miserables,” the famous book written in the nineteenth century by the French
novelist Victor Hugo, which was one of the literary expressions of romanticism,
and a critique of the bourgeois society of those times.
In
the introductory note to one of the
Spanish versions, we read “No writer of the century provided a greater service to the cause of social justice than Hugo. Nobody, in
any country, acted with greater political independence and selflessness
to create a sense of human solidarity’.” and then, “Victor Hugo was involved with
all forms of government, the advocate
of all the disinherited, all
the unfortunate of all nations or oppressed individuals; the infallible
impulse by which he either proposed or supported social reforms was always great pity.”
The abandoned of every time
In the plot of “Les Misérables,” you
can find fascinating expressions, both in the literary style and the message.
But there is a scene in the second book of the novel, which undoubtedly
inspired Don Orione to write one of his most beautiful pages on “The Little Cottolengo of
Argentina.” This is the scene of the dialogue between Bishop Myriel and the convict Jean Valjean. The latter
was seeking refuge after having been released, and he met with only aggression
and rejection from the inhabitants of
that village.
“Worn out with fatigue, and no
longer entertaining any hope, he lay down on a stone bench which stood at the
doorway of this printing office. At that moment an old woman came out of the
church. She saw the man stretched out in the shadow. “What are you doing there,
my friend?” said she.
He answered harshly and angrily: “As
you see, my good woman, I am sleeping.” The good woman, who well deserved the
description, was in fact the Marquise de R-
“On this bench?” she went on (…)
“I have knocked on all the doors.”
“Well?”
“I have been driven away
everywhere.”
The “good woman” touched the man’s
arm, and pointed to a small, low house on the other side of the street, beside
the Bishop’s palace.
“Have you knocked at that one?”
“No.”
“Knock there”
So he went
to the place indicated by the old woman. The bishop, who was at dinner with his sister and his housekeeper,
heard somebody knocking on the door of his house and, without asking who was
there, gave permission to enter.
The women, seeing the figure emerging from the darkness,
were as silent and motionless as statues.
The Bishop, with calm eyes, heard from the convict’s lips all
the vicissitudes that he had suffered looking for a place to sleep, and ordered a room to be
prepared for the newly arrived visitor. Then, turning to his housekeeper, he said:
“Madame Magloire (…) set another
place (…). While he was speaking, the Bishop had gone and shut the door, which
had remained wide open. Madame Magloire returned, bringing a silver spoon and
fork, which she placed on the table.
“Madame Maglorie”, said the Bishop,
“place those as near the fire as possible.” And turning to his guest: “The
night wind is harsh in the Alps. You must be cold, sir.”
Each time that he uttered the word “sir”
in his gently grave and polished voice, the man’s face lighted up. To a convict,
to be called “Monsieur” is like a glass of water to one of the shipwrecked of
the Medusa. Ignominy thirsts for consideration.
“This lamp gives a very bad light,”
said the bishop.
Madame Magliore understood him, and
went to get the two silver candlesticks from the chimney-piece in Monseigneur’s
bed-chamber, and placed them, lighted, on the table.
“Monsieur le Cure,” said the man,
“you are good, you do not despise me. You received me into your house. You
lighted your candles for me. Yet I have not concealed from you whence I come
and that I am an unfortunate man.”
The Bishop, who was sitting close to
him, gently touched his hand. “You did not need to tell me who you are. This is
not my house; it is the house of Jesus Christ. This door does not demand of him
who enters whether he has a name, but whether he has a grief. You suffer, you
are hungry and thirsty; you are welcome. And do not thank me; do not say that I
received you into my house. No one is at home here, except the man who needs a
refuge. I say to you who are passing by that you are much more at home here
than I am myself. Everything here is yours. What need have I to know your name?
Besides, before you told me, you had one which I knew.”
The man opened his eyes in
astonishment.
“Really? You knew what I was
called?”
“Yes,” replied the Bishop,” you are
called my brother.”
Bishop Myriel and Jean Valjean |
We can, indeed, see in Victor Hugo’s
text the
inspiration for Don Orione’s famous passage about the
"The Little Cottolengo of Argentina":
“Thanks be to God! Trusting in Divine Providence, in the
generous heart of the Argentineans and in every person of good will, we are
beginning in Buenos Aires, in the Name of God and with the blessing of the
Church, a most humble Work of faith and charity, which is intended to provide
shelter, food and comfort to the “desemparados,” those abandoned people who
have been unable to find help and shelter with other charitable Institutions.
The Work draws life and spirit from
the love of Christ, and its name from St. Joseph Benedict Cottolengo, who was
an Apostle and Father of the poorest of the poor.
At the door of the Little Cottolengo no-one asks the names of those
wishing to enter, but only whether they are suffering.
“Charitas Christi urged nos” [We are
driven by Christ’s love. 2nd Corinthians 4]. How greatly the generous
souls who assist us in relieving the sufferings and lessening the misery of
those wretched people treated as outcasts by society will be blessed by God and
our beloved poor!”
Little Cottolengo of Argentina |
There are
other testimonies that tell us that
Don Orione had read
“Les Misérables,” but that he also
admired some of the expressions in the French novel. He wrote a letter,
of which only the draft was kept, possibly
addressed to a mother who was concerned
about the situation of her son, who was causing her suffering,
encouraging her to stand firm in faith and recognize God's
comfort. Immediately afterwards, he made an analogy between her circumstances and those
described by the French writer in the book:
“I have always been struck by the venerable figure of
the bishop, portrayed by Victor Hugo in the first two books of “Les Misérables.”
He knew how to draw from the abyss, and bring comfort and salvation to the
convict Jean Valjean, careful to avoid preaching at him with any word which might
sound reproachful or tinged with morality or advice.
How sublime is the divine love of Jesus Christ!
And
how great is the church in that Bishop!”
But
elsewhere Don Orione went a step further:
in the episode of Bishop Myriel’s meeting with
Jean Valjean in that house, our
Founder identifies the bishop with the one who made his "Little
House" everyone’s:
“In “Les Misérables” by Victor Hugo, in the
scene about the convict, who was
refused entry by every single inn, who saw every door slammed in his face, who was
threatened with a gun when he begged for a glass of
water, and who even had a dog kennel
thrown at him. In the end, however, on the advice of an old woman who was leaving the church, he knocked at Monsignor Myriel’s door and heard the words: "Come
in!"And the Bishop, who greeted and hugged him, welcomed him as a
brother, offering him the kindest
hospitality. "But I did not tell you my name” – cried the convict – “my
name which terrifies everyone. And you
do not drive me away?” – And Mgsr. Myriel
replied –“ This house does not
belong to me, but to Jesus Christ, and that door
does not ask the
one who enters if he has a name,
but if he is suffering.”
“Les Misérables” was published in 1866, but
the door it speaks of was to be found in Torino 35 years
before that.
Victor Hugo had described it as
an ideal, a dream, but it had
actually come true, because at the Cottolengo, nobody is
asked if they have a name,
but only if they are suffering.
And at
that door Victor Hugo would surely have repeated the convict’s remark: "What a wonderful thing a good priest is!"
And Blessed
[Joseph Benedict] Cottolengo was a good priest!”
St. Joseph Benedict Cottolengo |
Ever since he was young, Don Orione had admired the
figure and work of Joseph Benedict (1786-1842). In fact, while he was still at the Salesian Oratory in Valdocco,
he used to pass by the "Little
House" of Turin, a place
that held a special attraction for him.
The Cottolengo: a Home for the
Abandoned
In
October 1934, Don Orione sailed from Genoa to Buenos Aires, staying in Latin
America until August 1937. During that long period of time, he launched some
very decisive activities in favor of the abandoned and the outcast, among which
the most outstanding was the foundation of “The Little Cottolengo of Argentina"
in Buenos Aires in April 1935. These are his thoughts:
"O Jesus, to this world you
really were treated as refuse, and thus our dear poor of the Little Cottolengo
resemble you in a way. O Jesus, your
first people rejected you and refused to welcome you! You became the great
Rejected One. You had but a cave, open to the winds: You are the First among
the poor of the Cottolengo”
Therefore,
the "Little Cottolengo" and its "refuse" are a metaphor for
God’s comprehensive love, embracing the whole of history, touching and
transforming all humankind, and converting a mass of individuals into his very
own people: the People of God.
“Belonging
to the Cottolengo” is a parable for the state of suffering in which a person
lives, but which, in Christ, is radically transformed into a source of life.
And
the church has become an instrument of God's Providence, standing close to all
those who suffer, a mission which it must never forsake.
Don
Orione, especially in the years he spent in Latin America, had a deep
understanding of this, so that he did not hesitate to give his life to it. For
him, anyone who wants to participate in the construction of a new humanity, not
only has to serve Jesus in the poor, but must want to live as his Lord did,
sharing the fate of the "abandoned and the outcast."
The
providential face of God is like that "good woman" who, as she
left the church, saw the man lying in the shadow, rejected by all, and pointed
out the house of the bishop as a safe place.
Providence
is the one which will point out to us the doors that we have to open to let into
our lives the way of paternal and maternal love, which will truly lead to a
homeland for all.
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